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 "In my early work I started to explore ways of finding comfort in what might be hidden.
Through exploring their qualities I approach the materials in a way that lets them lead me.
By layering, arranging and rearranging the materials, small enclosures are formed that are reminiscent of a cocoon, a nest, an anthill or a beehive. Or perhaps rock pools on a beach or the crevices formed in the rock or earth. I flatten them, poke them, soften them, move them, mould them and cut into them until they feel right.
One technique I use involves the use of wire of silver and gold. Each layer is made up of wire that I have soldered into a loop, rolled flat then stacked and soldered again. The effect of this labour-intensive process reminds me of a cliff face that over time, has been beaten by the ocean.
I'm interested in the layering of ideas and materials to produce a body of work that flows from one piece to the next with hardly a breath in between.
My inspiration stems from the seemingly haphazard nature of the everyday.
A nest that an animal instinctively burrows to protect itself from harm, cracks in an old porcelain bath, the coffee stain left behind on a newspaper, the random scribble when your pen isn't working or the burnt rubber marks on a country crosswords. The images evoked and qualities imagined are what I want to capture in my work."



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